Geneviève Wallen is a Tiohtiá:ke Mooniyang/Montreal and Tkaronto/Toronto based independent curator, writer, and researcher. Wallen's practice is informed by diasporic narratives, intersectional feminism, intergenerational dialogues, BIPOC alternative healing platforms. Her ongoing research focuses on the intersections of longevity and pleasure as contemplative spaces for care work in the arts.
Her most recent curatorial projects include Made of Honey, Gold, and Marigold (2020) presented at the Robert McLaughlin Gallery in Oshawa, and Little Musings (2020) an online collective correspondence in partnership with MICE Magazine and co-facilitated with artist Eve Tagny. Wallen contributed essays for C magazine; the anthology Other Places: Reflections on Media Arts in Canada, edited by Deanna Bowen; and the anthology The Politics of Spatial Transgressions in the Arts, edited by Gregory Blair & Noa Bronstein.
Wallen is the Exhibition Coordinator at FOFA Gallery. She is also part of the collective YTB (Younger than Beyoncé) Gallery; the co-initiator (with Marsya Maharani) of Souped Up, a series of sporadic and thematic dinners for racialized curators and cultural workers; a member of the Black Curators Forum; an advisory committee member for the BLACK PORTRAITURE[S]: Toronto, Absent/ed Presence conference and she recently joined the advisory board of the Centre for the Study of Black Canadian Diaspora.
Instagram handle @wallen_curates